ABLETON PRODUCTION EDUCATION

BOOK A SESSION TO LEVEL UP YOUR SKILLS & CREATIVE CAPABILITIES!

WHAT I TEACH

  • CORE FUNCTIONS & WORKFLOW


    ARRANGEMENT VS. SESSION VIEW

    
IMPORTING AUDIO

    RECORDING AUDIO & MIDI


    TEMPO MATCHING

    AUDIO WARPING

    
AUTOMATION & EDITING 


    SAMPLING IN SIMPLER & SAMPLER


    MELODY -> MIDI
HARMONY -> MIDI


    GETTING CREATIVE WITH FX


    MAPPING MIDI

    SIDECHAINING & ENVELOPES 


    EQ // COMPRESSION // DELAY // REVERBS 


    FILTERS // PHASERS // FLANGERS // BITCRUSHERS


    USING TEMPLATES

  • USING SYNTHS

    USING AUDIO/SAMPLES

    
WORKING WITH SAMPLERS


    RESAMPLING
 AUDIO

    MELODIC & HARMONIC SOUNDS


    NON HARMONIC SOUNDS

    
NOISE & TEXTURES


    UTILYZING VSTs


    CONVERTING AUDIO -> MIDI


    SOUND ISOLATORS

    GRANULAR SYNTHESIS

    FIELD RECORDING

    USING AI TOOLS

    SYNPLANT & GENOPATCH

    PLAYBOX IS A DREAM

  • HOW TO MAKE BEATS IN ANY GENRE

    “THE DRUMSET” CONCEPT

    

USING AUDIO VS. MIDI


    MULTITRACK VS. DRUM RACK

    GROOVE & RHYTHMIC CONCEPTS

    LAYERING & BLENDING

    CREATIVE SYNCOPATION


    PERCUSSION THAT DRIVES

    GETTING CREATIVE WITH LOOPS

    UTILYZING FOLEY

    ADDING EAR CANDY

    CALL & RESPONSE

    
TRANSIENT AWARENESS


    CHOKE GROUPS

    ADDING HUMAN FEEL


  • MANIPULATING SOUNDS WITH FX

    ADDING SPACE & DIMENSION

    ADDING MOVEMENT & DEPTH

    ENHACING HARMONICS & TONE

    PERCUSSIVE MELODICS

    TRANSIENT SHAPING

    FLIPPING & CHOPPING VOCALS

    GROUP CONTROL (LAYERED MOVEMENT)

    MAKING FX CHAINS & RACKS

    ABLETON SPECTRAL VERBS

    USING CREATIVE VSTs & TOOLS

    GETTING WEIRD WITH FX

    RECOMENDED VSTs FOR ULTIMATE CREATIVTY

  • BUILDING PARTS & IDEAS

    CRAFTING DRUMS BASED ON SECTION

    MULTI-GENRE BASSLINES


    DEVELOPING MELODIC IDEAS


    COUNTER MELODIES

    HARMONIES


    FUSING GENRES

    TENSION & RELEASE


    VOCAL CHOPS VS. TOP-LINES


    THE “BAND” CONCEPT


    ACHIEVING A “FULL” SOUND


    
CREATING FEELING & VIBE

    CONCEPTS TO START & FINISH SONGS

    UNDERSTANDING SONG STRUCTURE

    Crafting Intros

    Designing Verses

    Creating Buildups

    Powerful Drops & Choruses

    Building Bridges

    Impactful Endings

    Effective Transitions

  • 
UNDERSTANDING FREQUENCY SPACE

    LETTING SOUNDS BREATHE

    BALANCING INSTRUMENTS & SONICS


    CORRECTIVE & TONAL EQ


    SETTING YOUR MIXING ENVIRONMENT


    THE PUZZLE CONCEPT


    3D MIX MINDSET


    ACHIVING LOUDNESS WHILE MAINTAINING DYNAMICS


    REMOVING HARSH FREQUENCIES


    MIXING VOCALS

    
TRANSIENT AWARENESS


    REFERENCING

    CRITICAL LISTENING


    COMPARATIVE LISTENING


    CLEANING YOUR MIXES UP


    SELF MASTERING


    TOP DOWN MIXING*

  • THE “BAND” CONCEPT


    THE “PUZZLE” CONCEPT


    CALL & RESPONSE

    REFERENCING FOR INSPIRATION

    3D MIXING

    USING S.W.O.T ON SELF & TRACKS

    LESS IS MORE
 (SOMETIMES)

    TENSION & RELEASE


    VIBE
 ENHANCMENT

    OVERCOMING WRITERS BLOCK

  • DEEPER WARPING & EDITING


    FREQUENCY SPLITTING

    HYBRID DRUM RACKS

    EVOLUTIONARY FX


    SYNTH -> AUDIO RESAMPLING


    ADVANCED SONIC MOVEMENT

    ADVANCED FX AUTOMATION

    ADDING THAT “HUMAN FEEL”

    HYBRID FX // ADVANCED CHAINS


    RESAMPLING REVERB & DELAY TAILS

    USING ZENAS DYNAMIC EQ

    USING ABLETON PUSH
 AS CONTROLLER

    USING MAX FOR LIVE
 FX

  • CHOOSING THE RIGHT SONG


    USING AI ISOLATION TOOLS

    SAMPLING & CHOPPING

    REWORKING VOCALS

    EXPERIMENTING WITH TEMPOS

    RESAMPLING SONG ELEMENTS


    REWORKING ORIGINAL ELEMENTS

    HYBRID GENRE
S

    CREATING MELODIC ELEMENTS & RHYTHMS BASED OFF ORIGINAL IDEA


    MAINTAINING NOSTALGIA


    DEVELOPING A COMPLETE REMIX


    GETTING WEIRD WITH IT

  • USING THE ABLETON PUSH

    MIDI CONTROLLERS // SETTING THEM UP

    
KEYBOARD CONTROLLERS


    DRUM PADS // PERCUSSIVE CONTROLLERS

    
MIDI MAPPING TO HARDWARE

  • MAKING A LIVE SET


    SESSION VS. ARRANGMENT VIEW

    INCORPORATING DIGITAL INSTRUMENTS

    
INCORPORATING LIVE INSTRUMENTS


    EXTERNAL VS. INTERNAL CONTROL

    GETTING COMFY ON STAGE

    PERFORMANCE POINTERS

    
USING STEMS VS. FULL TRACKS WITH EQ

    CREATING A FLOW

    FREE VS. PLANNED MOMENTS

  • A BIG PART OF MODERNMUSIC PRODUCTION IS SOLVING PROBLEMS. HERE ARE A LIST OF COMMON PROBLEMS PRODUCERS FACE THAT I CAN HELP WITH:

    Why do my drums feel stale?

    My sounds aren’t interesting enough…

    Why do my songs feel stagnant?

    My low end doesn’t feel right…

    I’m stuck on an idea & can’t move on… help!

    Something feels like it’s missing…

    It just doesn’t sound right… (my mix sucks)

    Too much is going on (cluttered sounds)

    I need a vocal, where do I get one?

    What effects should I use?

    There’s so many plug ins! I need them all.. (no you don’t)

    IF YOU DEAL WITH ANY OF THESE, I’M HERE TO HELP 🤘🏽

  • Top down music production is a process of starting with your mix bus (master chain) before you start crafting individuals tracks & sounds. It allows you to create songs at performable & releasable volumes without having to deal with sending your mix off to a mastering engineer.

    Even if you still prefer to send mixes to an engineer, it’s a great process to understand & utilize. I’ve been using this process for the last few years & believe it’s essential for producers of any genre to understand.

    Let me show you my process 👨🏽‍💻

  • SETTING & COMPLETETING GOALS


    HOW TO KEEP LEARNING & EVOLVING

    USING S.W.O.T
 ANALYSIS

    COLLABORATING
 WITH ARTISTS

    PROMOTING ON SOCIAL MEDIA

    RELEASING MUSIC


    TEAM MENTALITY


    MUSIC INDUSTRY INSIGHT

HOURLY + DEEP DIVE SESSIONS (2-4 HOURS)
BOOK NOW FOR A FREE 20 MIN CONSULTATION!

____________________________________________________

ABLETON MENTORSHIP PROGRAM

LEARN THE PROGRAM // LEVEL UP YOUR SKILLS

____________________________________________________

ADDITIONAL SERVICES

TRACK FEEDBACK

DRUM & PERCUSSION LESSONS

PUBLIC WORKSHOPS & PRESENTATIONS

_____________________________________________